![]() ![]() I personally use a bright blue colored pencil for this, and I remove it digitally with Photoshop’s color select tool. Transfer your chosen thumbnail to this sheet with a pencil and a light touch, as you’ll want to erase it after you’ve drawn your final line art over the top. I recommend printing out a sheet of graph paper from Incompetech for this stage (more on The Grid later). ![]() And, if you can’t, very often the person to your left can!Īfter settling on a thumbnail composition, you should transfer this to your paper as a final draft that you will later ink over with your proper line art. That said, even an amateur can draw twenty different versions of something on a piece of paper, hold it at arm’s length, and pick out the best one. You would do well to think about golden ratios, big-medium-small, and other compositional rules that are beyond the scope of this article. The first thing to come to your head is often good but, five or six thumbnails later, you are likely to find something great. In general, this means to draw a wide range of small “thumbnails” and sketch as many varieties of the basic floor plan as you can imagine. This stage has a single goal, and that’s to explore composition and find “the one” to follow through with. It’s time for that same lesson they teach in every art class you’ll ever take: thumbnails! That’s the secret to any artistic journey whatsoever. I must take a moment to mention that this is the method that works for me, and there’s probably a different method that will be right for you! Give it a try, keep what you like, drop what you don’t, and explore from there. ![]()
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